Closing Logo Group

Logo descriptions by Jason Jones and James Fabiano

Logo captures by Eric S., Logophile, Mr.Logo, naxo-ole, and Gilblitz112

Additional edits by Eric S., V of Doom, Logophile, CBS/FoxKid999, Chowchillah, Shadeed A. Kelly, bmasters9, Lee Cremeans and PluMGMK

Video captures courtesy of KidCairbre, JeicetheWarrior, RetroVideoFan, diegovs95, LogicSmash, ColumbiaPictures21, bigdan2337, Tlogos, blackvirus and Peakpasha

Cohn-Brandt-Cohn (CBC) Film Sales[]

This predecessor company of Columbia Pictures was originally founded in 1918 by Harry Cohn, his brother Jack Cohn, and Jack's friend Joe Brandt. Brandt was president of CBC Film Sales, handling sales, marketing and distribution from New York along with Jack Cohn, while Harry Cohn ran production in Hollywood. Many of the studio's early productions were low-budget affairs; the start-up CBC leased space in a poverty row studio on Hollywood's Gower Street. Among Hollywood's elite, CBC's reputation led some to joke that "CBC" stood for "Corned Beef and Cabbage".

Columbia Pictures Industries, Inc.[]

Columbia Pictures Industries, Inc. (commonly known as Columbia Pictures) is an American film studio and production company that is a member of the Sony Pictures Motion Picture Group, a division of Sony Entertainment's Sony Pictures Entertainment, itself a subsidiary of the multinational conglomerate Sony and one of the major American film studios.

Columbia Pictures was originally founded as Cohn-Brandt-Cohn Film Sales in 1918 by Harry Cohn, his brother Jack Cohn, and Jack's friend Joe Brandt. Brandt was president of CBC Film Sales, handling sales, marketing and distribution from New York along with Jack Cohn, while Harry Cohn ran production in Hollywood. Many of the studio's early productions were low-budget affairs; the start-up CBC leased space in a poverty row studio on Hollywood's Gower Street. Among Hollywood's elite, CBC's reputation led some to joke that "CBC" stood for "Corned Beef and Cabbage".

Following a reorganization, the Cohn brothers renamed the predecessor company as "Columbia Pictures Corporation" on January 10, 1924. Columbia's product line consisted mostly of moderately budgeted features and a short-subject program of comedies, serials, cartoons, and sports films. Columbia gradually moved into the production of higher-budget fare, building a reputation as one of Hollywood's more important studios. On December 23, 1968, it was reorganized as "Columbia Pictures Industries" (commonly known as "Columbia Pictures") after Columbia Pictures Corporation merged with its television division Screen Gems. On June 22, 1982, Columbia Pictures was sold to the Coca-Cola Company for $750 million, became part of Columbia Pictures Entertainment in December 1987 with Coke owning 49%, and since November 8, 1989, it's owned by Sony Corporation of Japan. Since 1998, it is part of the Columbia TriStar Motion Picture Group (now Sony Pictures Entertainment Motion Picture Group since 2013), which is a division of Sony Pictures Entertainment, a subsidiary of the mentioned multinational conglomerate.

1st Logo (March 15, 1924-December 29, 1927)[]

Nicknames: "Myriad Lady", "Female Roman Soldier", "Standing Liberty", "Pre-Torch Lady"

Logo: On a dark gray background with arch clouds below, we see a woman dressed in a Roman soldier's outfit (similar to the Greco-Roman goddess Athena/Minerva), crowned with a wreath and covered in a toga, holding a shield in her left hand and holding an olive branch in her right hand. We see the text "COLUMBIA PICTURES CORPORATION Presents" with "COLUMBIA PICTURES" appearing in an arched text and the text "CORPORATION" underneath the arched words in a straight line and the text "Presents" below.


  • The figure depicted in the logo is actually a depiction of the goddess Liberty (or the Roman goddess Libertas) as seen on the obverse of the 1916 US quarter, also known as the "Standing Liberty quarter".
  • The identity of the model is disputed. The most known candidate for the model is actress Doris Doscher, who became known as "the girl in the quarter", although some reports stated that Broadway actress Irene MacDowell was the model.


Music/Sounds: The intro of any movie.

Availability: Long extinct, apart from a few screenshots. Seen on very early films by Columbia Pictures. Last seen on The Lady with the Torch documentary on Encore Drama (whenever the network decides to rebroadcast it). More recently, this logo made surprise appearances as both part of the Spider-Man: Into the Spider-Verse and "100 Years" variants of the 1993 logo.

Editor's Note: As the company would later establish its famous torch lady, this logo can be seen as an oddity.

2nd Logo (January 1928-May 25, 1936)[]

Nicknames: "Early Torch Lady", "Sparkler Torch Lady", "'20s Torch Lady", "Torch Lady", "Lady of Liberty", "America Torch Lady"

Logo: We see a medium shot of a lady (Columbia, a representation of the USA), holding a light torch in her right hand. The lady is featured with a dark bob and a kind of Cleopatra-like headdress across her forehead. She is draped in an American flag complete with the stars on her left shoulder and the stripes coming across her middle, supported by her left arm, and hanging down her right side. Her torch is displayed with a rather primitive, flickering style of animation emitting lines of light as rays. The Torch Lady's head is under an arch of chiseled, square-shaped letters reading the words "A COLUMBIA PRODUCTION". At the end of the movie or short subject, the words are "THIS IS A COLUMBIA PICTURE" with "The End" below it in a script font.

Trivia: The Torch Lady shown here is actress Claudia Dell; she appeared as Spanky's mother in the Our Gang shorts "Mama's Little Pirate" and "Anniversary Trouble".


  • Earlier movies until 1932 would feature the name in a different typeface, and will sometimes read as "COLUMBIA PICTURES CORPORATION" at the start of the film (sometimes also with the word "Presents" below, in a script font), and "A COLUMBIA PRODUCTION" at the end of the film, like on The Miracle Woman.
  • Another variation consists of the words "A COLUMBIA PRODUCTION" and "The End" below. It was spotted on The Miracle Woman, Platinum Blonde, Men in Her Life, Three Wise Girls, The Final Edition, High Speed, American Madness, and the Three Stooges short "Restless Knights".
  • A rare opening variation from late 1931 has the words "COLUMBIA PICTURES" on top and "Presents" below. It was spotted on The Pagan Lady, The One Way Trail, The Guilty Generation, The Deadline, Men in Her Life, The Secret Witness, and the early John Wayne film Maker of Men.
  • There is another closing variant that has the words "COLUMBIA PICTURES", with "The End" appearing below, which can be found at the end of The Secret Witness, Maker of Men, and Forbidden.
  • In 2004, Columbia TriStar Home Entertainment released several colorized Three Stooges shorts; these had the Torch Lady in color as well, and the words are in yellow.

FX/SFX: The torch rays shining. This was done using moiré effects and clever editing.

Music/Sounds: A majestic horn sounder, much like the Fox logo, or the opening/closing theme of the short or feature.

Availability: Uncommon. It was seen on It Happened One Night. Also can be seen on The Three Stooges releases on DVD. Can still be seen on reruns of 1934-1936 Three Stooges shorts on IFC, AMC, and Antenna TV. It can also be found on TCM and Sony Movie Channel. Don't expect this to appear on original prints of Walt Disney's Mickey Mouse and Silly Symphony cartoons from 1930-1932, as Columbia only distributed those shorts.

Editor's Note: This is known as the first Torch Lady logo; the lady herself looks noticeably different compared to the other logos, all of which had the most famous version of the lady.

3rd Logo (May 28, 1936-December 21, 1976)[]

Nicknames: "Classic Torch Lady", "'30s Torch Lady", "40s Torch Lady", "Torch Lady II", "America Torch Lady II"

Logo: We see the lady, this time standing on top of a pedestal with a backdrop of clouds over her, while she is holding her light torch. Much more refined, ethereal and goddess-like, her facial features became less pronounced and she looked away (up and to the right) instead of straight ahead. Her headdress was removed and her hair swept back instead of hanging by the sides of her face. The drape over her shoulder became less-obviously an American flag, the stars on the left shoulder having been toned down in a shadow, and the stripes visible only on the portion of the drape hanging down her right side. "A COLUMBIA PRODUCTION" was replaced with the tall chiseled letters of "COLUMBIA" (which fades in a second afterward) running straight across the top section of the screen, with the lady's torch glowing in front of the "U". A new form of animation was used on the logo as well, with a torch that radiates light instead of flickers. Until the mid-1960s, this logo would also appear at the end of films, sometimes with the words "The End" in a script font.

Trivia: The Torch Lady happens to be Pittsburgh native Jane Chester Bartholomew, discovered by Harry Cohn.

Byline: Starting in 1974, the company byline "A DIVISION OF COLUMBIA PICTURES INDUSTRIES, INC." appears at the bottom of the screen.

Evolution Variants:

  • 1942: The lady looks much like she did in 1936, only the stripes were removed and the flag became simply a drape without markings (the Sony website implies that the change was to coincide with a new law that forbade the usage of the American flag as clothing), dark on the left shoulder but only the shadows of the folds differentiating the rest of it from the lady's white gown on her right side. The "COLUMBIA" lettering was also modified, still chiseled but less bold, and with darker shadowing.
  • July 17, 1953: The Columbia Lady's robe was redrawn with a plunging neckline. The logo is also adapted for widescreen.
  • January 26, 1955: The logo is adapted for CinemaScope. The Torch Lady lost her slipper-clad foot peeking out from the bottom of her robe as it divided just above the pedestal. Also, the clouds behind the logo became concentrated in the center and more billowy in shape.
  • August 12, 1956: Similar to the CinemaScope variant, albeit in 4:3 fullscreen; more of the logo can be seen on the top and bottom. This logo is adapted for the 1.37:1 "academy" process, as well as the CinemaScope process.
  • December 23, 1958: Similar to the CinemaScope variant, but the Torch Lady's pedestal doesn't extend to the bottom of the screen, making it look like she's floating, just like the variant of the 1953 logo from Gun Fury. The logo is adapted for 35mm open matte.
  • 1960-1968: Similar to the CinemaScope variant, but the clouds are blue.
  • April 10, 1968-December 12, 1973, April 5, 1974, August 1, 1976: The drapery was temporarily pink during this era. Several films that feature this variant include Where Angels Go... Trouble Follows, The Swimmer, For Singles Only, Interlude, The Big Gundown, Hammerhead, Funny Girl, The Wrecking Crew, Otley, Model Shop, MacKenna's Gold, Easy Rider, Castle Keep, Bob & Carol & Ted & Alice, The Desperados, Cactus Flower, Five Easy Pieces, The Owl and the Pussycat, The Reckoning, 10 Rillington Place, The Anderson Tapes, Dollars ($), The Horsemen, Brian's Song, Nicholas and Alexandra, A Day in the Death of Joe Egg, Butterflies Are Free, Fat City, The New Centurions, Monty Python's And Now for Something Completely Different, The Valachi Papers, 1776, The National Health, Lost Horizon (1973), The Way We Were, Summer Wishes, Winter Dreams, The Last Detail, The Golden Voyage of Sinbad, Tommy, and Brian De Palma's Obsession.


  • On The King Steps Out, the Three Stooges short "Disorder in the Court" and the 1936 Charles Starrett westerns Secret Patrol and Stampede, "PRESENTS" appears below.
  • On The Three Stooges shorts from 1940-1945, the 1936 (or 1942) Torch Lady appears on the left side of The Three Stooges title card. On the steps are the words "COLUMBIA" on top, "SHORT SUBJECT" in the middle, and "PRESENTATION" on the bottom step.
  • On Taxi Driver, the logo is on a black background with blue clouds and had all of the text appearing at the same time.
  • On the 1948 Three Stooges short "Fuelin' Around", the 1968 logo in black & white was seen at the beginning. Obviously, this plastered the Screen Gems logo on some TV prints, with/without the original music. This variant was seen on said short when reran on The Family Channel in the mid '90s.
  • Prior to open matte, the logo sometimes has black bars on all four sides.
  • On 3D movies produced by the company, a 3D version of this logo was employed. The depth was as follows: the Torch Lady was closest to the screen, with "COLUMBIA" slightly behind her, and the cloud background farthest back.
  • There is a black & white version of the 1973 logo on the 1953 Three Stooges short "Tricky Dicks".
  • An ending variant was used on serials in the '30s and '40s. Along the bottom, it would read "A Columbia Serial". These were used on the Batman serials among others.
  • Another ending variant existed for short subjects, as well as the standard "The End", additional text below would read "A Columbia Short Subject Presentation". This is seen on Three Stooges shorts and often accompanies the aforementioned title card variant.

FX/SFX: The torch rays shine more realistically in this version.

Music/Sounds: Usually, the beginning/end of a movie's score plays over the logo. On some films, the logo appears completely silent. However, on several mid to late '30s Three Stooges shorts, it has a majestic theme before playing the Stooges' theme. On several other films, it would have a different theme.

Availability: Fairly common. Can still be seen on Columbia Pictures films of this period on home video formats and on TV airings.

  • The last films to feature this logo were Taxi Driver, Drive-In, Harry and Walter Go to New York, Obsession (at least on U.S. prints), and Peter Bogdanovich's Nickelodeon.
  • The 1973 variation was also seen on some later struck 16mm prints of some Three Stooges shorts, sometimes plastering the Screen Gems logo with the latter logo's music sometimes preserved, with Tricky Dicks and Three Pests in a Mess being common examples.
  • Tommy originally featured the 1968-75 variation of the logo, but was plastered with the next logo below on all later prints and home video releases of the film. Monty Python's And Now for Something Completely Different suffered the same fate as Tommy on the video releases, but has been restored on DVD.
  • This was seen on early releases of The Stepford Wives, but when Viacom bought the rights to the film, along with the rest of the Palomar Pictures catalog in the mid-'80s, the logo was deleted. However, following the release of the 2004 remake, Paramount Pictures gained rights to the original film through Viacom (owner of the former company), and added their 2002 logo at the beginning of all current prints.
  • This also appears on current prints of films that originally had the 2nd logo, including Dirigible, Behind the Mask, Shopworn, The Circus Queen Murder, Man's Castle, Twentieth Century, The Whole Town's Talking, The Black Room, and She Married Her Boss.
  • The "A Columbia Serial" variant can be seen on the old Batman serials when aired on TCM.
  • The 3D version appears on the company's Golden Age 3D features, including Man in the Dark, Miss Sadie Thompson, and The Mad Magician.
  • The Three Stooges shorts that include the "Short Subject" variants will likely be retained, being followed by the Sony Pictures Television logo.

Editor's Note: It's held up remarkably over the 40 years it's been used. It also served as the basis for the 1955 Screen Gems Television logo.

4th Logo (June 23, 1976-1982)[]

Nicknames: "The Sunburst", "'70s Torch Lady", "The Abstract Torch", "Torch Lady III"

Logo: The Torch Lady (this time appearing as a less-detailed yellow-toned version of the 1942 one) is seen standing on the pedestal as usual, holding her light torch against a cloudy backdrop. Then, the camera slowly moves upward and towards the torch as the light rays reverse direction and pull in, which shines even more as the picture blurs around it. It then emits a flash that fills the screen. When the flash dissolves, the light torch itself appears, as if in sunburst, against a black screen and as it shrinks, it changes into a more "abstract" torch: a blue half circle, or a semicircle, with thirteen white light rays in the center and the words "Columbia Pictures" in Souvenir medium font under it. The entire logo then slowly backs away as it fades out.


  • The sunburst print logo made its first appearance the year before in 1975 on movie posters. It would make a surprise reappearance on the case artwork for the Taxi Driver 40th anniversary Blu-ray release in 2016, despite the previous logo appearing on the film itself.
  • Columbia would color code the logos for both their movie and television divisions with blue and orange sunbursts, respectively. The television variant was essentially the second half of this logo, but played faster and with "Television" added.


  • When viewed in 4:3 full-frame, there are varying versions where we see her pedestal. There are close and medium views. There is a far view version in 1.85:1 on the U.S. Blu-ray releases of Tommy, Sinbad and the Eye of the Tiger, The Blue Lagoon, Used Cars, and Stir Crazy.
  • On Superbad, this logo is used as a throwback with some edits. The then-current byline "a SONY PICTURES ENTERTAINMENT company" (in the same style as the 6th logo) appears over the pedestal during the Torch Lady sequence, and when the sunburst is being formed, the background turns into a yellow color via a clockwise wipe effect, segueing into the opening credits. A damaged film stock effect is used throughout.
  • In 2013, the logo was revived again as a throwback for American Hustle. Everything happens as usual, but the byline "a Sony Company" fades in during the tail end of the sunburst sequence in the same Souvenir font as the text on the logo.

FX/SFX: The Torch Lady's torch zooming in, then turning into the Sunburst. Produced by Robert Abel and Associates, who specialized in elaborate, motion-controlled animation and lighting effects, and also did work on commercials (early 1970s 7-Up ads among many others) and Star Trek: The Motion Picture.

Music/Sounds: It begins with a dramatic theme that builds up as the camera zooms in on the torch, and with the flash/sunburst, it takes an inspirational, majestic tone. This theme was composed by Suzanne Ciani. In other cases, it's silent or has the opening theme of the film. The main instruments appearing on the soundtrack were a small horn section, Suzanne Ciani's Buchla modular (for the "popping" effects) and an ARP string synth (the same model Gary Wright used for his song "Dream Weaver" around the same time).

Availability: Common. Sony is much better at keeping older theatrical logos on current releases of their films than their TV output (which is another story). In the early days of Columbia Pictures' video division, however, this logo would be plastered by their home video logo. Otherwise, all later video releases, DVDs/Blu-rays, and TV broadcasts retain this logo.

  • The first film to use this logo was Murder by Death, while the last to use it was Happy Birthday to Me. However, in international territories, it was used until at least 1982 as this appeared on Death Wish II (released domestically by Filmways Pictures).
  • On some airings of The Mirror Crack'd, the logo is not shown at all, but is intact on most home media releases and uncut TV airings.
  • The 1980 Magnetic Video release of the ITC Entertainment film The Eagle Has Landed, which Columbia distributed in the United States, also has this logo. Surprisingly, it appears on the 1999 20th Century Fox Home Entertainment VHS of The Chinese Connection (AKA Fist of Fury); the film was re-released in 1980 as part of a double feature with The Big Boss, and the print seen on the tape was likely one from the reissue.
  • It also plasters the previous logo on Tommy, and 1980s and early 1990s U.S. VHS prints of Monty Python's And Now for Something Completely Different.
  • It was also seen on some pre-release versions of Stripes (including the TV cut found as a bonus feature on its 4K UHD release), before switching to the next logo for general release, as well as on home video releases.
  • The 1988 GoodTimes Home Video release of Close Encounters of the Third Kind (as well as most other Columbia films distributed by GoodTimes on VHS during this period, such as Fun with Dick and Jane) edits this out and goes straight to the opening credits, although other prints, such as the 2001 DVD, the 2007 DVD/Blu-ray, and the 2017 UHD retain it (as do later reissues of those other Columbia films from Sony Pictures Home Entertainment).
  • Don't expect to see this or the 1963 Universal logo on the Steven Spielberg movie, 1941 (which Columbia co-released with Universal).

Editor's Note: This is a favorite of many, and still holds up well over 45 years later.

5th Logo (June 5, 1981-May 14, 1993)[]

Nicknames: "'80s Torch Lady", "Torch Lady IV", "Coke Bottle Torch Lady"


  • 1981-1989: We see the standard Columbia Torch Lady (a somewhat less detailed version of the '70s Torch Lady) standing on a pedestal with her torch against the backdrop of clouds. The torch then shines into a bright abstract shape, as if in sunburst, then dims back in place. The words "Columbia Pictures" (appearing in the same font from the last logo) fade to the left and right of the Torch Lady. Her torch "shines".
  • 1989-1993: The logo fades in just like the 1981 version, however the sunburst animation has been abolished, although one can still see a glimpse of the red light from the sunburst if one looks closely. Instead, after a second, the "Columbia Pictures" text fades in (a la the 1936-1976 logo).


  • When viewed in full screen, there are varying versions where we see her pedestal. There are close, medium and far views.
  • This logo was also used for the first half of the Triumph Films logo in 1982.
  • A shortened version of the logo was used on Ghostbusters: The Video Game.
  • On a 1986 HBO airing and the 1985 VHS of Starman and the original UK VHS release of Flatliners, the logo's original 2.35:1 aspect ratio was squeezed into 4:3 full screen.
  • On 4:3 pan & scan prints of various 1982-1986, 1988 and 1990 films (except for Annie, Ghostbusters and Ghostbusters II), the logo's original 2.35:1 aspect ratio is cropped to 2.20:1.
  • Oddly, on the original 1993 video releases of A League of Their Own and A Few Good Men, they have a shortened version of the sunburst logo. The first film fades in as the sunburst retracts, while the second film fades in when the sunburst flares in. Current prints of both, however, have the standard 1989 logo, although a 2020 Epix Hits airing of the former retains its original variant.
  • On a June 2004 TBS airing of When Harry Met Sally..., the logo played at the start of the movie, but ran twice as long. It also appeared at the end of the movie in sped-up form.

Closing Variants:

  • From 1989-April 30, 1993, Columbia's print logo was featured scrolling at the end of the movies' closing credits. This features the Torch Lady with the "sunburst" from the 1981-1989 variation of the opening logo. The phrase, appearing in the same font as the opening logo, reads "A Columbia Pictures Release" underneath. An earlier version of this didn't include the print logo, but rather the text instead. A few movies such as Ghostbusters II, Welcome Home and Year of the Comet have the words in a different font (the latter two films did not even feature the print logo, as did The Adventures of Baron Munchausen, When Harry Met Sally... and Misery). This would stop regular use on August 28, 1992, with the release of Honeymoon in Vegas, but this made a surprise appearance on The Pickle.
  • Another one would feature the same closing logo, but would use "COLUMBIA PICTURES" in Bank Gothic font with the SPE byline below. On A River Runs Through It and El Mariachi, as well as Castle Rock films, the words "RELEASED BY" appear on top. Used from September 23, 1992-May 14, 1993. A variant also appeared at the end of Josh and S.A.M., released on November 24, 1993. In this one, it has "A COLUMBIA PICTURES RELEASE" above the "RELEASED BY" variant, while the movie itself would use the 1993 logo at the beginning. The possible reason for this is that it was delayed; a teaser for said film, which was found on the 1993 VHS releases of Single White Female and Mr. Saturday Night, had it originally intended for a spring 1993 release, but when it finally came to theaters, Columbia might have replaced the 1989 logo with their new logo, but didn't touch the credit logo. Another example of Sony's poor editing habits.
  • On Sibling Rivalry, the closing logo is based on the 1981-1989 print logo: it has the Torch Lady with sunburst inside a dome (which might have been a precursor to the current 1993 print logo, using a box motif) with "Columbia Pictures" below. Below that is "A COLUMBIA PICTURES RELEASE".
  • Eat a Bowl of Tea and The Big Picture have the "Torch Lady in a Dome" print logo with "A Columbia Pictures Release" below it.
  • There are two versions of the Torch Lady print logo. One with a short lady and the big sunburst, which was the one seen inside the dome, but would occasionally appear without the dome. A later version was introduced in 1989, with a smaller sunburst and the Torch Lady appears taller and slimmer and more cleaned up in design. No dome was used for this version.
  • Sometimes, on TV airings, the closing logo may be kept with the Sony Pictures Television (formerly the Columbia TriStar Television Distribution logo) following afterwards or may be skipped ahead with the SPT/CTTD logo.

FX/SFX: The Torch Lady "shining".

Music/Sounds: Either silent or the opening theme of the film.

Music/Sounds Variants:

  • In rare cases, it uses the music heard in the previous logo. This can be found on Big Trouble, the 1988 Goodtimes Home Video VHS of The Amsterdam Kill (which also plasters it), and several Australian VHS releases such as the 1984 VHS of Christine, the 1985 VHS of Educating Rita, a mid '80s VHS of Three Tough Guys (plastering the 3rd logo), and the 1999 VHS of The Karate Kid.
  • On Happy New Year, a holiday tune composed by Bill Conti plays throughout the logo.
  • On Pulse, there's the rather distinct sound of a flame burst which is dubbed into the soundtrack as the torch on the Columbia logo ignites. This is a reference to the Pulse in the film taking control.
  • On post-2005 prints of Stripes, as well as some foreign dub tracks of Tootsie, the 1998 common fanfare from the next logo is strangely heard. It is unknown whether these instances were attempts at plastering or placement choices when making the audio remixes/dubbing. In the case of Stripes, this oddity was removed on the 4K UHD release.
  • On a Portuguese print of Stone Cold, this has the 1995 MGM lion roar, due to a reverse plastering error.

Availability: Common. Again, preserved on most films from the period.

  • The first film to use this logo was Cheech & Chong's Nice Dreams, while it was last seen on Lost in Yonkers. However, the logo made a cameo appearance on Last Action Hero (although the teaser trailer and TV spot had the logo, itself using the next logo) where Danny watches the preview of Jack Slater IV in the local theater.
  • The 1981 variation is much easier to come by, due to it being used a longer time period and being on more popular titles such as Stripes, Heavy Metal, Gandhi, The Big Chill, Christine, Ghostbusters, The Karate Kid, Fright Night, Stand by Me, Hope and Glory, and many others.
  • Notable films that have the short 1989 version are Ghostbusters II (where it made its first appearance), The Adventures of Milo and Otis, Casualties of War, Awakenings, Flatliners, Mortal Thoughts, Boyz n the Hood, Mo' Money, A League of Their Own, Bram Stoker's Dracula and Groundhog Day.
  • The logo is seen on the 1986 VHS of Casino Royale, plastering the 3rd logo, and it also plasters older Columbia logos on several other post-1981 videocassettes as well, including The Black Bird, Gidget, Funny Girl, and a 1983 Australian Silver Series VHS of To Sir, with Love (the 1985 US VHS of which retains the original logo).
  • It also appears on the Vidmark and Starmaker VHS releases of The Shadow Riders (the international-only theatrical print was used, which is why this logo is seen at the start), along with the Trimark DVD. Don't expect this on the 2006 Sony Pictures Home Entertainment DVD release, as it uses the original TV version.
  • This logo is usually edited out or plastered (either by New Line Home Video or MGM Home Entertainment) on home media prints of earlier Castle Rock Entertainment films they distributed theatrically such as Misery, City Slickers, and Mr. Saturday Night, though there are a few exceptions:
    • It is retained on the New Line VHS of Amos and Andrew. However, the MGM DVD release has it plastered with the 1987 New Line Cinema logo, while the YouTube print on the Warner VOD channel had the New Line logo before Columbia's; it was since replaced with an MGM VOD print, which has the MGM and Castle Rock logos. But the combo (minus New Line) was seen on Vudu's print, as well as an airing on Laff TV.
    • The Columbia-Castle Rock combo is also preserved on a 1998 MGM Movie Time VHS release of Amos and Andrew, the German DVD of Misery, a 1997 MGM Movie Time VHS of City Slickers and the widescreen Laserdisc release of the aforementioned film retains this logo as well.
    • This was also preserved on cable TV airings of When Harry Met Sally... and also appeared on the widescreen Laserdisc release.
    • Can also be seen on the Amazon Instant Video print of Late for Dinner (after MGM), the 2016 Olive Films release of Sibling Rivalry (also after MGM), and Roku Channel's print of Honeymoon in Vegas.
  • Oddly, in lieu of RCA/Columbia's logo appearing, this logo plasters that of Cinema 5 on the English-dubbed cassette of One Sings, the Other Doesn't.
  • While removed from the MGM DVD and oddly, the British Columbia TriStar Home Video DVD, it was preserved on the U.S. RCA/Columbia VHS and Laserdisc of Double Impact. It is unknown if the respective 2012 MGM and 2019 MVD Visual Blu-rays retain this logo. It was also removed from the 1989 HGV Video Productions VHS of Spacehunter: Adventures in the Forbidden Zone.
  • This may be seen on international prints of Piranha II: The Spawning (AKA: Piranha II: Flying Killers).
  • The Australian Time-Life VHS and 2005 Australian DVD of The Adventures of Milo and Otis have this logo removed for unknown reasons (it's unknown if the original Video Selection Australia VHS used this logo).
  • It was also seen on newer prints and the Blu-ray of the English dubbed Theatrical cut of Das Boot (AKA: The Boot) in place of the first Triumph Films logo and preceding the Neue Constantin Film logo.
  • Don't expect this to appear on Weintraub Entertainment Group films that they distributed theatrically, with the exception of The Gods Must Be Crazy II, where a still Weintraub logo is seen at the end.

Editor's Note: A notable variant of the 1930s logo. It makes good use of the Souvenir font, making this logo work.

6th Logo (June 18, 1993-present)[]

Nicknames: "'90s Torch Lady", "Torch Lady V", "Majestic Torch Lady"


  • 1993-2006: This logo has a face lifted Torch Lady from 1936-1976 on her pedestal on a sky background filled with cumulonimbus clouds, giving more detail to the drawing. First, we see a bright light, as if in sunburst, with the cloud background fading in a brief second later. The light is coming from a torch, which zooms out to reveal the lady who's holding it. After the lady, along with the cloud background, are fully zoomed out, on the top "COLUMBIA", seen in a bold, silver chiselled font, fades in afterwards as a ring of light shimmers around the lady, while the cloud background very slowly moves to the right.
  • December 8, 2006-2014: Starting with The Holiday, the logo was given a more "enhanced" look, similar to the 2001 Columbia TriStar Home Entertainment logo and Michael J. Deas' original artwork of the logo, which can be seen here. The hand is in a different pose in which the finger is at the tip of the torch. The sky is darker and the "COLUMBIA" text has more silver in it and is slightly off-center. This variant was seen on trailers and TV spots until 2008. On The Holiday, it shows the logo already formed; the fully animated variant debuted on Ghost Rider, as between those two films, the 1993 version was still used until The Messengers.
  • May 2, 2014-2021: Starting with The Amazing Spider-Man 2, the logo is introduced by the Sony Pictures Entertainment logo. This involves the addition of blurry parting clouds with very bright light between them. The light gets brighter until the clouds are apart and then it fades to the traditional zoom out from the torch.
  • October 1, 2021-present: Starting with Venom: Let There Be Carnage, the Sony logo preceding now has a new animation of it based on its brand identity used since June 2021. Here, a blue backdrop is gradually shown, then we see the Sony logo flash in with a multicolored backdrop. It fades to black as only the logo is seen. Then, the Columbia logo is shown like above, albeit the parting clouds at the start are slightly modified with a sharper look to compliment the new Sony logo.


  • The logo's most recent overhaul was undertaken during this era when Sony Corporation of Japan (which bought Columbia on November 8, 1989) commissioned illustrator Michael J. Deas to redesign the lady and return her to her "classic" look. The result, based on Deas' sessions with Mandeville, Louisiana homemaker Jenny Joseph, who posed for him with a makeshift robe and torch, was a taller, slimmer Columbia Torch Lady with lighter, curlier hair and a dimmer torch. Rather than use Joseph's face however, Deas constructed a composite face made up of a couple of computer-generated features. Deas' artwork, created in 1992, was featured in the Columbia Pictures Television and Columbia TriStar Home Video identities prior to this logo's appearance. The logo was animated at Kleiser/Walczak Construsction Company, now known as Synthespian Studios. Jeff Kleiser and Diana Walczak are the leaders. Ed Kramer and Joel Hynek assisted in production. The staff used 2D elements from Deas' painting, edited them using Adobe Photoshop running on an Apple Macintosh Quadra 950 workstation and converted them to 3D. The clouds were divided up to 66 image maps and Walczak mapped every cloud onto a 3D object and twist-distorted and translated on Alias/Wavefront Advanced Visualizer graphics software running on a Silicon Graphics Crimson Elan workstation. The woman was also converted to 3D. This time, by sculpting a real model and scanning it using a Polhemus 3-space digitizing pen.
  • The then-current Torch Lady has pale skin, short curly auburn hair, wears a silky light cream/light beige gown going straight down to the ground, and is also wearing a blue veil wrapped all over and around on her left arm. Her appearance looks similar to NYC's landmark, The Statue of Liberty.
  • The identity of the Torch Lady's model wasn't divulged until 2004; prior rumors persisted that Annette Bening was the model.
  • A face hidden within the clouds can be seen to the left of the Torch Lady as the camera is zooming out of the torch. It is very hard to distinguish in the original 1993 variant, whereas the 2006 version makes it a lot more noticeable.
  • The animation provided for the 2006 and 2014 versions of the logo was done by Sony Pictures Imageworks.
  • The zooming on the Torch Lady recalls the 1976 "Sunburst" logo, but the zooming out is reversed.


  • 1993-1999: (bylineless)
  • May 3, 1996-October 11, 2013: Starting with the release of The Craft, "a SONY PICTURES ENTERTAINMENT company" appears on the bottom. It is slightly off center. However, some post-1996 films such as I Know What You Did Last Summer, Dance with Me, and John Carpenter's Vampires may have this logo without the byline, while trailers and TV spots continued to use the bylineless version of the logo until 1999, for unknown reasons. The last film to use this byline was Captain Phillips.
  • A prototype version of the SPE byline was used on The Juror, released on February 2, 1996. The byline is chyroned on cheaply and is a lot bigger and wider than the proportion of the "COLUMBIA" name and the pedestal.
  • 2014-present: The byline was shortened to "a Sony Company", with the orange-yellow color of the previous byline changed to a bronze and is properly centered. This version was first spotted on American Hustle (the variant of the logo to use the 1976 logo in 2013), The Monuments Men, and the official trailers for The Amazing Spider-Man 2 and 22 Jump Street.


  • In 1999, the company celebrated its 75th anniversary. The beginning of the logo started off with the 1936 logo of Columbia Pictures in black & white, leaving the 1993 cloud background intact. The Torch Lady then slowly morphs into the current Torch Lady as the effects from black & white later turn to color. As the camera zooms back, we see a red arched banner dropping from above saying "SEVENTY-FIFTH ANNIVERSARY LIGHTING UP SCREENS AROUND THE WORLD" and the Torch Lady standing on the pedestal, where we see a red box with the gold, giant chiseled name "COLUMBIA" inside on top, and the small word "PICTURES" below in spaced-out letters. We also see the gold giant number "75" unfolding in between the Torch Lady.
  • In 2024, Columbia Pictures celebrated their centenary by introducing another special variant. The 2021 Sony Entertainment logo plays and transitions to the torch lady sequence as usual. As it zooms out of the torch, the colors quickly fade to black and white, and the myriad lady from the 1st logo suddenly wipes itself over the current lady. After this, an iris-out reveals the first torch lady seen in the 2nd logo. It continues to cycle through most of the previous torch lady designs in color at an increasing speed, such as the ones seen in the 3rd, 4th, 5th & 1993 logos via a slideshow effect. All of this happens in the middle of a "100", with the first "0" overlapping the other one, zooming out from the middle. After the slideshow stops on the current one, her torch overlaps the top of the middle "0" and shines, with the gold chiseled texts "100 YEARS" and "COLUMBIA PICTURES" fading in below alongside the Sony byline. The "100" gains a golden outline, and is revealed to be in the middle of a dark gray box that is lit up by the torch. All the gold parts of the logo shine before it fades out.
  • There is one version where the left and right sides of the cloud background are stretched out more and the Torch Lady and the "COLUMBIA" text, along with the byline, are zoomed out a little.
  • At the end of Black Hawk Down, the logo zooms out to a much further distance than usual, revealing the bottom of the cloud background below the pedestal. This is because the film was shot in Super 35 1.66:1 negative ratio, and framed for 2.39:1 scope. This variant is seen on 4:3 prints of the film, which exposes more vertical information that was not meant to be seen. This variant can also be found on a trailer for Erin Brockovich.
  • On a few Columbia Pictures licensed video games, such as Ghostbusters: Sanctum of Slime and The Smurfs, the print version, seen on most DVD covers of Columbia films, appears on a white background, with the text in black (as with Columbia Pictures Television) and the byline below the stacked words.
  • On a Warner Home Video VHS of The Shawshank Redemption, the logo starts a second in.
  • There is a variation of the 2014 version (used since mid-2016) where the Sony byline stays on-screen for a split-second longer before fading out if one looks closely. This version first appeared on The Shallows, and can be seen on other films such as Spider-Man: Homecoming, Jumanji: Welcome to the Jungle, Venom, Goosebumps 2: Haunted Halloween, and Charlie's Angels, among others.
  • On 4:3 prints of The Remains of the Day, the logo zooms out to a much farther distance, but it's positioned in a way in order to not show the cloud background below the pedestal.
  • After the end credits of Terminator 3: Rise of the Machines, the logo is still and the print logo is replaced.

Closing Variants:

  • The superimposed closing variant features the Torch Lady (and the cloud background) placed inside a rectangular box. The torch, and the cloud BG, overlap the top of the box. To the left of the logo are the words "COLUMBIA PICTURES" (in the same Bank Gothic font as the previous logo), with "COLUMBIA" over "PICTURES". The phrase below the text reads "A COLUMBIA PICTURES RELEASE" or "RELEASED BY" (both in the small-caps format) above the logo with the SPE byline underneath the logo. On some movies such as Stuart Little, the animated short Early Bloomer, Hollywood Homicide, and 13 Going on 30, the SPE byline is smaller, more spaced out, and in a different font. Depending on the credits, the logo and the text may vary in color. Usually, it is in color white, but some movies (such as on 13 Going on 30, wherein the logo is hot pink, and on 50 First Dates, wherein the logo is periwinkle blue) have this in any color. Starting with American Hustle, the byline was shortened to "a Sony Company", though the older SPE byline made a surprise appearance on Pixels, released on July 24, 2015.
  • One early closing variant of such featured the boxed Torch Lady logo at center, with "COLUMBIA PICTURES" and the SPE byline below one another. Sometimes, the text and byline are smaller and the logo is bigger to fit the width of the text. There is a version where the logo is inverted and no SPE byline appeared on Kung Fu Hustle in 2004.
  • Beginning with Life in 2017, a revised version of the above-mentioned variant is used. Here, the text and byline are larger.

FX/SFX: The torch shining and the zoom out, as well as the transition from the Sony logo starting in 2014. During the early years of the usage of the byline "a Sony Company", the byline and logo fade out at the same time. Starting in 2016, as the logo fades out, parts of the Sony byline dim out and later fade out completely, much like the 1992 CPT logo.

Music/Sounds: A majestic tune is heard, which ends with a brass sounder. This was composed by Jonathan Elias. There are four main versions of the fanfare (two commons and two alternates), with only the 1998 common version still being used today:

  • The 1993 common version has the piano tune emphasized more, and sounds more "stripped down" compared to later iterations. This variant surprisingly debuted on In the Line of Fire (the second film to use the 1993 logo). It was used mostly on films from 1993-98, however it made a surprise appearance in some 2000-01 films. It is the one usually associated with "original Columbia 1993 logo".
  • The 1993 alternate version is reorchestrated, and has additional sections/instruments (such as brass, chimes, synthesizers, and flute sections), and sounds way more powerful than the other fanfares listed here. These sections would become the basis for later renditions of the fanfare. If you hear closely, the percussion (piano and drums) is not as pronounced as the other versions. It only appeared on five films from 1993-97, however: Last Action Hero (some current prints plaster this with the 1998 common version), Josh and S.A.M., Geronimo: An American Legend (although some prints may have the common piano version), Little Women, and Buddy (also the only film to pair this fanfare with the SPE byline). Why this fanfare was seldom used remains unknown to this day.
  • The 1998 common (and most common) version sounds like a hybrid version whose power is between the first and second versions. Noticeably, you can hear new brass sections. It was first used on John Carpenter's Vampires, released on October 30, 1998, and has been the staple fanfare used by Columbia ever since.
  • The 1998 alternate version has the piano tune emphasized more, but seems to have the additional brass and chime sections based from other renditions. It also sounds noticeably powerful. This version first debuted on Stepmom. It was used in tandem with the 1998 common version and is the version used in high tone variations of the logo. The final film to use this rendition was Hotel Transylvania.
  • All four fanfares have the same ending. Starting with Sex Tape, extra build-up is added at the beginning of the 1998 common fanfare, to match up with the parting clouds.
  • Sometimes it is silent, has the opening theme to any given film, or music from any given soundtrack.

Music/Sounds Variants:

  • On the Open Season short "Boog & Elliot's Midnight Bun Run" and The ChubbChubbs Save Xmas, the first half of the Sony Pictures Animation logo music can be heard during the logo, before the Columbia logo cuts into the mentioned logo as the music finishes.
  • On some films, the 1998 fanfare is high-toned. Notable films that are being played in high tone on NTSC prints are: Zathura: A Space Adventure, The Pink Panther, Casino Royale, The Pursuit of Happyness, Catch and Release, Ghost Rider, How Do You Know, Total Recall, and most early Sony Pictures Animation films up to Hotel Transylvania, among others. The high-toned version can mostly be found on PAL prints of most movies, but not any of these, which uses a double-pitched version on PAL releases of these aforementioned movies listed. The sequels to Cloudy with a Chance of Meatballs and Hotel Transylvania use the normal-toned 1998 common fanfare instead due to the 1998 alternative fanfare being retired. This fanfare makes a surprise appearance on Napoleon.
  • On Finding Forrester, a guitar version of the theme is heard.
  • There is also a double-pitched (very high tone) version of the 1998 theme, which can be heard on The Messenger: The Story of Joan of Arc and Hollow Man (likely to be triple-pitched on PAL releases).
  • On Palmetto, yet another arrangement of the theme is heard without cymbal hits, ending smoothly with synthesized flutes. This variant was only seen on the original Columbia TriStar releases, as current releases remove this logo entirely (prior to Time Warner acquiring the Castle Rock library, as Palmetto is a Castle Rock film).
  • It is believed that on the Sony region 2 DVDs of Evolution, the 5.1 English track contains the DreamWorks jingle. Oddly enough, a similar thing happened on the DreamWorks logo on the R1 DVD when the 2.0 English track is selected and the 1998 CP jingle is heard.
  • On the 2000 Region 4 DVD of Erin Brockovich, the 1998 theme is low-toned (as with the 1997 Universal logo's theme). It is unknown if this happens on other releases.
  • Some newer prints of 1993-98 films may have their original 1993-98 fanfares (whether common or alternate) reverse plastered with a later 1998 one (whether common or alternate, as well). Examples of this are Blu-ray prints of Last Action Hero, Netflix's print of In the Line of Fire, and later releases of Desperado.

Availability: Current. It has been placed in front of Columbia films for over 30 years.

  • The first film to use this logo was Last Action Hero (although the teaser trailer and the TV spot had the previous logo).
  • This logo was also seen at the beginning of Ghostbusters: The Video Game.
  • Some cable prints and New Line Home Video releases of Castle Rock films such as Needful Things, Malice, Josh and S.A.M., and North actually keep this logo (though don't expect to see it on MGM releases of the former three films, although the Kino Lorber Blu-rays of Needful Things and Malice have it, the latter after MGM).
  • On current prints of City Slickers 2: The Legend of Curly's Gold, this is replaced by the 2001 Warner Bros. Pictures logo, while the Shout! Factory Blu-ray uses no distributor logo whatsoever (though the 1989 Castle Rock logo is kept on both). UK and Australian prints keep this intact due to Columbia keeping the rights to the film in those countries.
  • Current prints of 1994-1998 Castle Rock films distributed by Columbia have the logo either plastered by a Warner Bros. logo or edited out, altogether. Even the end in-credit notices aren't safe as they're either blacked out or replaced by a WB logo (though it is retained on the 1999 DVD release of City Hall and post-2004 prints of The Shawshank Redemption). The 1998 Warner Home Video VHS release of The American President retains this, however. Even though the Warner Archive Blu-ray release of Palmetto removes it and starts at that film's Castle Rock logo, it is preserved on the theatrical trailer included as an extra.
  • Interestingly, the print logo made its first appearance in early 1993 on posters for The Pickle and Lost in Yonkers as well as newspaper ads for Groundhog Day; however, those titles use the previous logo.
  • This also appears on the 1997 Director's Cut version of Das Boot.
  • Strangely, the 2006 version plasters the original 1993 logo on the Blu-ray of Muppets from Space.
  • It also may have been seen on theatrical prints of The Wind in the Willows (later re-titled Mr. Toad's Wild Ride), but it doesn't appear on any home video releases due to Disney owning the video rights. As a result, it's plastered by the 1985 Walt Disney Pictures logo.
  • A portion of this logo appears about halfway through The King.
  • This logo strangely doesn't appear on the demo VHS of Hitch, which cuts right to the Overbrook Entertainment logo.
  • Despite appearing on promotional material, this doesn't strangely appear at the beginning of a few Sony Pictures Animation films such as The Star, Hotel Transylvania 3: Summer Vacation, The Angry Birds Movie 2, and Wish Dragon, although the "Released by" closing variant appears at the end. This is most likely due to the first title removing it following The Emoji Movie's poor reception.
  • This logo appears on international trailers for The Punisher and Suspect Zero; however, both films use the 5th Columbia TriStar Film Distributors International logo instead.
  • The 100 Years variant is brand new and first appeared on Sony's website and respective social media accounts on January 10, 2024, and made its first theatrical appearance on Madame Web as a variant. Home media releases of that film use the standard variant instead.

Editor's Note: A beautiful homage to the 1936 logo that has been in use for over 30 years, thanks to the well-crafted animation. However, some believe this logo is becoming stale and needs an update, especially since TriStar introduced a then-brand new logo in 2015 and this one continues to be used even for their 100th anniversary. However, the longevity of this logo may seem to mirror the longevity that the 3rd logo had.

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